On this dress, bias cut strips of fabric decorate the bell-shaped ends of the sleeves, and the neckline, shoulder seams, sleeve head and hem of the bodice are carefully finished with self-piping. During the 1870s and 1880s, the vast majority of these people were from Germany, Ireland, and England - the principal sources of immigration before the Civil War. Women wore crinoline petticoats made of steel hoops under their dresses to give them this distinctive shape. Beeton also included paper patterns, a new phenomenon that, combined with the fashion plates, ensured the magazine a particular appeal among the increasing numbers of owners of the domestic sewing machine. By 1880 the skirt was quite slender in profile, often with an overskirt swathed in front, gathered over the bustle at the back and falling into a train. The infiltration of sporting dress into informal styles of clothing shows how social conventions were relaxing in the late 19th century. When applied in rows, fringes also simulated flounces and made skirts look even wider. Eight years later he moved to Paris, where he opened his own premises in 1858. DressDesigner unknownAbout 1842EnglandSilk satin, lined with cotton, reinforced with whalebone, and hand-sewnMuseum no. This elegant pair of blue and white low-heeled shoes illustrates how the sandal form evolved. The satin upper with square toe and throat, decorative rosette and elastic ties are all features reminiscent of the dainty flat shoes of the early nineteenth century. ››Enter dates. Number of days between: By the middle of the 19th century slippers or 'sandal shoes' were still widespread although by the 1850s they were worn largely only for formal wear in black or white. Photography was a novel and exciting development in Victorian days, and many people had studio photographs taken for ‘cartes de visite’ which could be presented when visiting friends, as introductions or with messages if the person was out. Dresses with asymmetrical drapes and inserted waistcoat effects were in fashion from 1884. Frock coats were still worn, but generally by older or more conservative men. The wife of Constantine Ionides, a wealthy art patron and collector. She is shown in aesthetic dress. This was effected between 1840 and 1850 by the conception and development of Whitworth's famous measuring machine. The closely fitting bodice of dark green velvet is embellished with an iridescent beaded panel. The lengths of skirt that used to fall over the crinoline were gathered up at the back over a bustle. Because weddings in those days took place in the mornings, daywear with long sleeves and high necks was the acceptable style. The satin of this dress is left quite plain, except for a braid edging on the collar. The sides of the coat hang down plain and straight . It may be remarked, however, that it is easy to stultify the whole effect of these, however perfectly they may be built 'by the tailor' by the addition of a single incongruous article of attire; such as a silk hat or patent boots with a shooting-suit. France dominated the world of fashion during this period and French fashion plates were an important source of information on the latest styles and colours. This Cyclone pedestal fan’s quiet operation and three powerful speeds make the Lasko pedestal fan with remote control perfect for a variety […] By the 1860s, skirts had reached their fullest point. Lasko 1885 18" Cyclone Pedestal Fan with Remote Control, 18 inches White 4.7 out of 5 stars 721. Riding habit jacketMessrs. The popularity of the young Queen Victoria coincided with a period when large numbers of illustrated music sheets were being published. DressDesigner unknown1878-80Great BritainJacquard woven silk, ruched silk trimmed with machine laceGiven by Miss K. GreaswellMuseum no. PH.192-1982. Bustles were often a separate structure attached around the waist and included crinolettes made of steel half-hoops, down-filled pads and wire mesh structures. It is said to have been worn by Cara Leland Huttleston Rogers of New York, later Lady Fairhaven. The 5-paddled 18" fan blade is powerful enough to cool even the largest home spaces. Aim. Masculine styles and tailoring were increasingly popular, and women sometimes sported a shirt collar and tie, particularly when playing golf or out walking. 7833-1938. The little girl on the right is also wearing a bell shaped skirt, though much shorter, as was customary for children. Boater hatDesigner unknown1890sGreat BritainPlaited straw, with a silk grosgrain hatbandMuseum no. To do this she selected a wide aperture, which produced both a short exposure and a shallow depth of field. Portrait of James DrewFrederick Hollyer (1837-1933)About 1890EnglandPlatinum printMuseum no. PH.302-1947Given by Lady Clementia Tottenham. It is made of cotton, so it is easily washed and dried. Read our, Learn about the history of fashion from 1900 - 1970, © Victoria and Albert Museum, London 2016. In addition to bare-earth, the point cloud will typically include buildings, trees, towers, and powerlines.3DEP DEMs are raster surfaces of bare-earth elevation values sampled at uniform horizontal increments. This portrait is of the Louise Jopling Rowe (1843-1933), one of the best known female painters of the Victorian era. She is shown here at 47 years old, when she was already interested in 'rational' dress - a dress movement that eschewed heavy bustles, massive crinoline skirts and tight corsetry. At the turn of the century she served as vice-president of the Healthy and Artistic Dress Union, which championed this less restrictive mode of dress. It was known as the 'Louis' after the famous French kings of  the 1700s. 1850 . Evening dressE. The elbow-length sleeves and square neckline show that it was probably a dinner dress rather than ball gown. This particular example is made of silk satin, striped in a complex arrangement of purple, crimson, magenta, grey and white. The evidence of the latter would not be upon him for all men to read, as the evidence of his ignorance in social forms is, in his mistaken notions of dress. T.222-1969. This elegantly designed pedestal fan from Lasko blends into surrounding decor and cools the largest home spaces. The off-the-shoulder seam and sleeves with width at the elbow are typical of the 1860s. However, hairstyles can be of some use in dating. The sitter in this photograph sports a full moustache very fashionable in the 1890s. The dress is very similar to a fragmentary one from the same source, now in the collection at Norwich Castle Museum and marked 'Laferrière', a well known Parisian couturier. Music sheetJohn Brandard (1812-63, designer); M. & R. Hanhart (printer); S. Chappell & Co. (publisher)About 1840Colour lithograph, ink on paperMuseum no. During the late 1870s the fashionable female silhouette changed. Afternoon dress (bodice and skirt)Halling, Pearce & Stone1879-81LondonSatin, trimmed with figured silk, chenille tassels and machine-made lace, lined with silk and cotton, reinforced with whaleboneMuseum no. Fashion is moving away from the fussier trimmings of the early 1870s. Vivid magenta-coloured silk gives this dress a rich and flamboyant appearance. A widow was expected to conform to strict rules governing her clothes for at least two years after the death of her husband, which included the wearing of a widow's lace cap and a black cape as seen here. A younger woman might discard her mourning garb after two years, but elderly widows generally wore it for much longer, if not the rest of their lives. T.848&A-1974Given by Mrs J. P. Friend Smith. 7835-1938. Portrait of Maharaja Duleep SinghHorne & ThornthwaiteAbout 1850LondonAlbumen print from collodion negativeMuseum no. The striped green skirt in this example is composed of eight gores that significantly reduce the amount of bulky pleating and gathering at the waist characterising earlier styles. Paisley or crochet shawls were fashionable accessories, as were linen caps with lace frills for indoor wear, and large bonnets for outdoors. Low, square necklines were fashionable. Basis. It is a personal keepsake and document of a wealthy family of the 1890s. In the early 1870s a German chemist found traces of arsenic in fabric dyed with magenta, which could leak out in washing, rain or perspiration. The first machine for embroidery was invented in France. Coat and skirtJacques Doucet (1853-1929)About 1894ParisLinen, with collar and cuffs embroidered with silk cord, elastic stays attached to the inside of the skirt to control the fullness, hand and machine sewnMuseum no. 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